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Independent Student Newspaper for the University of Texas at San Antonio

The Paisano

Independent Student Newspaper for the University of Texas at San Antonio

The Paisano

Independent Student Newspaper for the University of Texas at San Antonio

The Paisano

Photo courtesy of UTSA

COED FILM

Kaylee Boggan September 19, 2018

Lorena Claeys, executive director and research associate for the college of education and human development academy for teacher excellence, created a film called “Con Ganas” that highlights five inspirational...

Image of a book.

Book Review: Text Me When You Get Home by Kayleen Schaefer

Sydney Lamoureux March 30, 2018

In journalist Kayleen Schaefer’s novel Text Me When You Get Home: The Evolution and Triumph of Modern Female Friendship, the history and future of female friendships are explored and celebrated through...

Last year’s StreetFatale Volume I event at Movement Gallery. Photo courtesy of Carmen Peña

Femme on film

Mackenzie Dyer January 18, 2018

Lady led street photography exhibit returns to SA   Often underestimated and from different backgrounds, the women of StreetFatale have come together to share their voice and beauty through street...

Violinist Anton Miller playing his violin during silent film. Benjamin Shirani/The Paisano

UTSA hosts Silent Film Classics with Strings Attached on main campus

Ben Shirani January 25, 2017

On Friday night the UTSA Recital Hall, located in the Arts Building, hosted an evening of silent films accompanied by live stringed instrument performances from The Miller-Porfiris Duo. The event was...

Poster for suicide awareness. Photo by Raquel Zuniga

Film ‘No Letting Go’ sheds light on mental illness

Raquel Zuniga January 25, 2017

As we enter 2017, our society is becoming more open to different topics with ourselves and each other, but unfortunately, we still stigmatize mental health illness. One in five people, male and female,...

A scene from the film: Dante’s Inferno (1935)

Film Sprockets: Dante’s Inferno (1935)

Aidan Watson-Morris September 21, 2016

I am fascinated by the weird, the old, and especially the weird and the old. It is often hard to think of the old as weird, at least when the artifacts of the old are still prominent today, because its...

Photo Courtesy of Kino Lorber

‘Mountains May Depart’ resists ease

Aidan Watson-Morris March 29, 2016

  Like any film ambitious in scope, “Mountains May Depart” is difficult to summarize. The elevator pitch is woefully inadequate: a love triangle threatens to separate childhood friends...

Alison Rosa, Paramount

‘Hail, Caesar!’

Aidan Watson-Morris March 29, 2016

  Joel and Ethan Coen (“Fargo,” “The Big Lebowski,” “A Serious Man”) have been responsible for some of the most unique films of the past few decades. Their latest, “Hail, Caesar!,”...

’45 Years’

Aidan Watson-Morris March 22, 2016

Review: “45 Years” “45 Years” is an object lesson in the art of patient filmmaking. The story focuses on the Mercers, an aging couple (played by Charlotte Rampling and Tom Courtenay) about to...

‘Anomalisa’ feels lifeless

Aidan Watson-Morris March 22, 2016

The style hallmarks of auteur Charlie Kaufman, writer and director of “Eternal Sunshine of the Spotless Mind,” “Being John Malkovich” and “Synecdoche, New York,” are all over his latest film,...

Photo Courtesy of Quinzanie des Realisateurs

‘Mustang’ rides strong

Aidan Watson-Morris January 26, 2016

“Mustang” opens with the line, “It’s like everything changed in the blink of an eye,” and it’s appropriate. When the innocent beach play of five orphaned sisters living in small-town Turkey...

Film Review: Lola Kirke and Greta Gerwig soar in ‘Mistress America’

September 28, 2015

★ ★ ★ ★ ☆ Noah Baumbach's film “Mistress America” is a lively coming-of-age comedy for two very different women. The script, which was co-written with Greta Gerwig, is sharp, funny,...

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